1,195 Royalty-Free Audio Tracks for "Martha (opera)"

Le roi malgre lui (The King in Spite of Himself): "Danse Slave" performed by the Concert Band of the United States Air Force Band. Track 1 from French Impressions (2000).[1][2]

Gerechter Gott de l'opéra de Richard Wagner Rienzi, interprété en 1908 par Ernestine Schumann-Heink (1861–1936)

Fantasia or Norma. Mira, o Norma; arr. ; a harp solo by Francis J. Lapitino, Victor 17929Français : Fantasia ou Norma. Mira, o Norma, un solo d'harpe par Francis J. Lapitino. Enregistrement publié en 1915 sous l'étiquette Victor (no 17929).

Höre mit Sinn was ich dir sage de l'opéra de Richard Wagner Götterdämmerung (Le Crépuscule des Dieux) interprété en 1929 par Ernestine Schumann-Heink (1861–1936)

Public domain music from musopen.com Q: What restrictions are there for the music downloaded from this site, can I edit it? Share it? Use it for a film project? A: The music on this site is given a public domain license, therefore, there are technically no restrictions on what you do with it. We do ask, out of courtesy, two things. One, that you do not directly sell our recordings for profit, as a great amount of work has been donated to this project, and for the benefit of the public, not profit. Two, we ask that any commerical or derived works attribute Musopen somewhere, to give credit to this project. And for all the film students emailing, yes you may use it in your film, you can then sell the film, containing our music. It's in the public domain afterall. -- http://www.musopen.com/faq.html Musopen has requested in-line attribution in any article this file is used in.  

Debussy's Pelléas et Mélisande motif, at Mélisande's entrance and later when Golaud asks if she ever loved Pelléas, features, in addition to the already usual ninth, a thirteenth inverted to a "warm" close-position fourth.

Іра Маланюк-Фріка-Валькірія

Władysław Tarnowski ps. Ernest Buława (1836-1878) opera "Achmed oder der Pilger der Liebe", „Ballet” z II Aktu, składający się z 3 cześci przeplecionych ze sobą: Khelas (taniec arabski) z Królem i [jego córką] Dolorez na tronach oraz świtą dworską, Gitana (taniec solo z kastanietami), Eros i Psyche (Oto są dwa posągi ogrodowe, budzi się najpierw Eros, opuszcza swój cokół. Budzi Psyche jednym pocałunkiem – pieszczą się w ogrodzie[;] gonitwa za motylem. Wreszcie człowiek zjawia się w ogrodzie, oni biegną szybko do cokołów i na powrót kamienieją.) [Warto tu zwrócić uwagę na obraz Artura Grottgera „Rozmowa posagów” z roku 1865, namalowany w Śniatynce – posiadłości Stanisława Tarnowskiego zwanego „Białym” przyjaciela, mecenasa i modela Artura Grottgera a rodzonego brata kompozytora Władysława Tarnowskiego, obraz wydaje się stanowić inspiracje do tej części Baletu. Stąd zilustrowanie muzyki do ostatniej części Baletu fragmentami obrazu Artura Grottgera.] Kolejność ma być wedle partytury następująca: Khelas, Gitana, (Khelas ze śpiewem tu pominietym), Gitana, Eros i Psyche – część A, Gitana, Eros i Psyche – cześć B z gonitwą za motylem. Opera ta jest oparta na opowiadaniu Washingtona Irvinga opublikowanym w "Tales of the Alhambra', autorem libretta był Wladysław Tarnowski, który także przetłumaczył opowiadanie (Powieść o księciu Ahmedzie al Kamel albo o pielgrzymie miłości.) Akcja opery dzieje się na terenie dzisiejszej Hiszpanii a głównym bohaterem jest syn władcy Grenady. Partytura: Władysław Tarnowski ps. Ernest Buława, Hofmeister podaje jako czas publikacji październik 1877, str. 306. Wykonanie: Marcin Tarnowski, (M.Tarnowski (talk) 13:45, 21 January 2017 (UTC)) styczeń 2017.

Siegfried Fantasie (track 4 of Music of Richard Wagner), a pastiche based on Richard Wagner's Siegfried (1876).

Vieni, la mia vendetta suivi de Qualunque sia l'evento, extraits de l'opéra Lucrezia Borgia de Gaetano Donizetti (1797 - 1848) interprété par Fédor Chaliapine (1873-1938) en 1912.

Hector Berlioz's Overture to the opera Benvenuto Cellini, played by the U.S. Marine Band for the album Overtures.

The overture to Oberon, or The Elf King's Oath, performed by the U. S. Navy Band's Concert Band

Wesendonck Lieder n°5 (Träume) composé par Richard Wagner, interprété en 1911 par Ernestine Schumann-Heink (1861–1936)

Weiche, Wotan, weiche de l'opéra de Richard Wagner Das Rheingold (L'Or du Rhin), interprété en 1907 par Ernestine Schumann-Heink (1861–1936)

Monologue ("J'ai atteint le pouvoir suprême" ["Достиг я высшей власти"] de Boris Godounov, interprétée par Fédor Chaliapine Monologue ("I have attained supreme power" ["Достиг я высшей власти"] from Modest Mussorgsky's 1872 opera Boris Godunov, sung by Feodor Chaliapin

Enrico Caruso (as Doctor Faust) and Marcel Journet (as Méphistophélès) perform "O merveille! ... A moi les plaisirs" from Charles Gounod's opera Faust (1859), in this 1910 Victor Recording. This is Matrix C-8555, recorded 16/1/1910 in New York, and released under a variety of labels. (http://victor.library.ucsb.edu/matrixDetail.php?id=200008638 full details).

Vois ma misère, hélas! from Camille Saint-Saëns' opera Samson et Dalila (1877), sung by Enrico Caruso on 7 December 1916 in New York City for Victor Records. This is Matrix C-18821, which released under a variety of labels.(Full details)

1915 Edison recording of La sonnambula. Ah! Non credia mirarti, performed by Anna Case Ah! Non credia mirarti, air extrait de l'opéra La sonnambula de Vincenzo Bellini, interprété par Anna Case et enregistré par Edison en 1915.

The Song to the Moon (Lieblicher Mond, or, in the original, "Měsíčku na nebi hlubokém") from act 1 of Antonín Dvořák´s Rusalka (1901, Op. 114), sung by Emmy Destinn (Ema Destinnová). Conducted by Walter B. Rogers. This is Victor 88519, Matrix C-14757-3. Full details

The Song to the Moon (Lieblicher Mond, or, in the original, "Měsíčku na nebi hlubokém") from act 1 of Antonín Dvořák´s Rusalka (1901, Op. 114), sung by Emmy Destinn (Ema Destinnová). Conducted by Walter B. Rogers. This is Victor 88519, Matrix C-14757-3. Full details

O du, mein holder Abendstern from Richard Wagner's opera Tannhäuser

Grand March from La reine de Saba ("The Queen of Sheba", 1862), an opera by French composer Charles Gounod. From the U.S. Marine Band CD From Fife and Drum: Marine Band Recordings 1890-1988.

Українська: Генрі Перселл. Опера "Дідона і Еней", запис з театралізованої постановки у Київському будинку вчених, 2 березня 2014

Grand Fantasie from the Grand Scenes album (2000), a pastiche with music from Richard Wagner's Die Walküre (The Valkyrie, 1856), recorded June 5–9, 2000, at the Center for the Arts, George Mason University, Fairfax, Virginia, USA.

Pastiche of music from Richard Wagner's opera Die Walküre.

Richard Wagner's overture to the opera Tannhäuser, played by the U.S. Marine Band for the album Director's Choice.

An abridged version of Richard Wagner's Das Liebesmahl der Apostel, performed by the United States Marine Corps Band.

Recording of "Hostias Et Preces" by Eugenio Terziani (1824-1889), sung by the last surviving castrato of the Pope's choir, Alessandro Moreschi (1858-1922). Duration of recording: 2 minutes 9 seconds Català: Una gravació de "Hostias Et Preces" d'Eugenio Terziani (1824-1889), cantada per un dels últims castrato del Cor de la Capella Sixtina, Alessandro Moreschi (1858-1922). La gravació de Moreschi, és la única existent d'un cantant castrato, sent un testimoni sonor únic d'aquesta tradició musical. Una grabación de "Hostias Et Preces" de Eugenio Terziani (1824-1889), cantada por uno de los ultimos castrati de la historia, Alessandro Moreschi (1858-1922) del Coro de la Capilla Sixtina. La grabación de Moreschi, es la única existente de un cantante castrato, siendo un testimonio sonoro único de esta tradición musical Suomi: Eugenio Terzianin (1824-1889) tallenne viimeisen paavin kastraattikuoron jäsenen Alessandro Moreschin (1858-1922) laulamasta kappaleesta "Hostias Et Preces". Enregistrement de Hostias Et Preces par Eugenio Terziani (1824-1889), interprété par Alessandro Moreschi (1858-1922). Italiano: Una registrazione di "Hostias Et Preces" di Eugenio Terziani (1824-1889), cantata da uno degli ultimi castrati della storia, Alessandro Moreschi (1858-1922) del coro del Cappella Sistina. Le registrazioni di Moreschi, essendo le uniche esistenti di un cantante castrato, forniscono una testimonianza sonora unica di questa tradizione musicale Македонски: „Нафора и молитви“ (Hostias Et Preces) од Еугенио Терцијани (1824-1889), во изведба на кастрат на папскиот хор, Алесандро Морески (1858-1922). Морески е единствениот кастрат од кого постои снимка, и претставува единствен увид во оваа некогашна музичка традиција. Запись песни "Hostias Et Preces" Евгенио Терзиани (1824-1889), в исполнении последнего оставшихся в живых кастрата хора Папы, Алессандро Морески (1858-1922). Морески, как единственный записанный кастрат, воспитанный в старой традиции, даёт нам представлене о том, на что была похожа утерянная музыкальная традиция. Tiếng Việt: Một bản thu "Hostias Et Preces" của Eugenio Terziani (1824-1889), được hát bởi castrato cuối cùng trong ca đoàn của Giáo hoàng, Alessandro Moreschi (1858-1922). Moreschi, là castrato được huấn luyện duy nhất được thu âm lại, cho chúng ta một cái nhìn tổng quan về một truyền thống âm nhạc nay đã không còn.

Tale of Tsar Saltan, Op. 57: "Flight of the Bumblebee" performed by the Concert Band of the United States Air Force Band of the Rockies. Track 6 from Hands Across the Sea (2007).[1][2][3]

The Ride of the Valkyries from Richard Wagner's 1870 opera Die Walküre, the second opera in the sequence Der Ring des Nibelungen. Performed by the American Symphony Orchestra for Edison Records This is Edison Diamond Disc 80638-R, Matrix 7846-B-1-6, NPS object catalog number: EDIS 41877

The Preislied, "Morgenlich leuchtend im rosigen Schein" from Die Meistersinger von Nürnberg (1868). Sung by Leo Slezak for Edison Records in 1910 Per a request, as this cylinder is in very good preservation, this version simply had the pops removed, and no other restoration. This is Edison Amberol #40038

The Ride of the Valkyries from Richard Wagner's 1870 opera Die Walküre, the second opera in the sequence Der Ring des Nibelungen. Performed by the American Symphony Orchestra for Edison Records. This is Edison Diamond Disc 80638-R, Matrix 7846-B-1-6, NPS object catalog number: EDIS 41877 Català: La cavalcada de les valquíries, interpretada per l'American Symphony Orchestra per a Edison Records en 1921. Valkyrieridtet opført af American Symphony Orchestra for Edison Records i 1921. "Ritt der Walküren" aus Die Walküre, dem zweiten Teil des Hauptwerks Der Ring des Nibelungen von Richard Wagner, uraufgeführt im Jahr 1870. La chevauchée des Walkyries, interprété par l'American Symphony Orchestra pour Edison Records en 1921.

The Preislied, "Morgenlich leuchtend im rosigen Schein" from Die Meistersinger von Nürnberg (1868). Sung by Leo Slezak for Edison Records in 1910 This is Edison Amberol #40038

Recorded live at shenzhen, bao’an district opera house on an iphone, sitting in the nosebleed section so not the best sound. I hope someone can find something useful in there.

A 2 second clip of a chinese opera singer. This clip is being uploaded to freesound for accessibility.

Toyish sound, could fit for cartoons / games /surreal follies.